Ivetta Sunyoung Kang is a polymathic conceptual artist, independent researcher and poet, working across Canada, Germany and South Korea.
Their interdisciplinary work convolves and evolves simultaneously through conversations between projects across poetics, performance, video installation, site-specific/responsive installation, text-based work and audience’s participation.
Kang obtained an MFA from Concordia University in Canada. They have presented internationally, including at the Smithsonian Hirshhorn Museum and Sculpture Garden (2022), ArtScience Museum (2022), and Dazibao (2022), among others. They have participated in AiR programs such as at the AGO X RBC Artist-in-Residence at Art Gallery of Ontario (2022) in Canada and ZK/U (2023) in Germany, among others.
Kang has published Absent Seats (2019) and Tenderhands #1-100 (2022) and Tenderhands Volume.1 Korean Version (2022-2023) with Leftie Press. Kang is a co-founding member of Quite Ourselves, an artist collective seeking sustainable mobility in life and art creation.
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Let’s face the question rising here:
Where does this impulsive yet perpetual loving of mine come from toward
whomever I encounter?
Which future of my humanity do I strive for?
Where does this impulsive yet perpetual loving of mine come from toward
whomever I encounter?
Which future of my humanity do I strive for?